His work is about toning down and checking that emotion. Gustave Flaubert's realism emerged as a reaction against the Romantics, who he viewed as suicidally melodramatic.
In 8 1/2, a neorealist repeatedly derides the Fellini stand-in for talking about women rather than social problems. Fellini was reacting to this by emphasizing the personal and incorporating psychological imagery influenced by Jung.It grew out of Italian nationalist cinema after the war and focused on the problems of overlooked people rather than powerful heroes. Italian Neorealism was, at one point, one of the great cinematic forces in the world.Parajanov rebelled against this by emphasizing symbolism drawn from native Ukrainian culture to tell stories that seem rather small or trivial such as the life of a single poet or a musician trying to get a wife.Tarkovsky rebelled against this by emphasizing that nature was more important than human life and that, in human life, we rarely get answers to our questions.Emphasis was also placed on the "objective" rather than the "personal". In Stalinist films straightforward narratives that emphasized the economics conditions of the working class were violently enforced. Realism was reacted against rather violently by the autors in Soviet states.Travolta's opening monologue for Swordfish mentions realism and asserts that True Art is Realistic, which is ironic considering how unrealistic the movie itself is.
0 kommentar(er)
